
The Cost of Us Film Screening and Creative Discussion
Join enJOY arts for a screening of “The Cost of Us” followed by a creative…
Join enJOY arts for a screening of “The Cost of Us” followed by a creative…
This exciting and timely initiative addresses the recent advancements in visual generative AI which allow anyone to create highly realistic deepfakes, leading to misinformation and personal and social harms, and cementing stereotypes and representational biases. Led by Adi Kuntsman and Jessica Elias from DISC (Digital Society Research Group), in collaboration with the AI Artist and researcher, Dr Sam Martin, the project explores these issues in dialogue with national and international experts in digital literacy, misinformation and technological challenges, and shares AI literacy tools with local communities across Manchester and beyond.
The Art Research Group at Manchester School of Art invites you to a conference organised by Professor Claire Bishop from The Graduate Center, City University of New York and the Visiting Chair on Campus 2025 at the Faculty of Arts and Humanities at Manchester Metropolitan University
“Sensorial Dreams,” an immersive VR theatre experience presented at The Royal Exchange Theatre, combined sensory…
A body of scholarship has repeatedly demonstrated that schools are places where linguistic injustice is…
The Bryan Adams Perpetual Karaoke project invited people to perform karaoke versions of the hit 1991 song Everything I So, I Do it For You and featured in the National Archives Highlights of 2024
Curated by the Performance Research Group at Manchester School of Art, Bunker Talks create space for critical encounters, presentations, and dialogue, interviewing industry guests about practice & research.
Future Flares Festival returns for the third time, to bring a vibrant programme of performances, talks and workshops
Karen Barbour’s first solo show in the UK. Comprising twenty-nine paintings on paper that include a new body of work as well as paintings and collages that have been re-visited over the years, it dwells on the California-based artist’s intense concern for the spiritual in painting and how it might serve to alter psychological perspectives on landscape, cityscape or our internal relationship with our environment in general.
Heritage organisations of any size will be able to bring their heritage artefacts to a new digital centre based at Manchester Met’s PrintCity